PERFECT IMPERFECTION

History

AFFASO garments are created based on the heritage of wax prints. Originally Indonesian but fully embraced by and evolved to African fashion for decades. Iconic in its meaning, storytelling and individual expression; exactly therefore reason for AFFASO to bring them to live in shirts. Digitally printed on superb cotton with luxurious feel and fit.

Wax print comes from Batik, a method of dyeing in which patterned areas are covered with wax so they will not receive colour. Multicoloured or blended effects are obtained by repeating the dyeing process several times, with the initial patterns of wax boiled off and another design applied before redyeing.
Although batik techniques are used all over the world there is a wide consensus that batik reached its highest level of artistry in Java at the end of the 18th century and the beginning of the 19th century.

Batik

The Batik technique improved considerably in Java when the tjanting became into use by the mid 18th century. The tjanting is a small crucible with a handle and a narrow application spout for applying the molten wax, producing a much more elaborately patterned cloth. Due to the hand process the designs show flaws so perfect that it no longer appears as a flaw and becomes iconic because of the uniqueness.
This is what they call perfect imperfection.

The beauty of the flaw

This picture shows of one of our heritage prints Paisley Leaf  and the”perfect imperfection” although printed by modern technology. We treasure the DNA of the wax print with its “flaws” and so keep them on purpose.

Here we find print design Chain of Strength showing “perfect imperfection” although printed by modern technology.

Ebenezer Brown Fleming

The AFFASO designs traces its heritage back to the earliest arrivals of wax prints on the West African Coast.
Many of the designs that were first sent to Ghana, West Africa in the later part of the 19th Century by the British merchant and marketer, Ebenezer Brown Fleming have become established ‘classic’ designs imbued with meanings, significance and status by West African consumers who immediately embraced the natural beauty of real wax. i

The designs from the Brown Fleming Collection which he had registered in England in 1895 became part of the CPA Archive.
In the same period (1890s) that Brown Fleming first introduced ‘wax’ to West Africa, A. Brunnschweiler & Co (ABC) a trading company was opening its first textile distribution outlets on the West African Coast.

The story of one fabric

WAX PRINT VIDEO; From the villages of Indonesia to the cotton fields of America, from European industrial mills to the bustling markets and sewing schools of West Africa, the story of one fabric and how it came to symbolize a continent, it’s people and their struggle for freedom.

Social: @waxprintfilm

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